10 Buddhas

The Ten Archetypal Buddhas of the Mandala – Part 8: Māmaki

This article is the eighth of fifteen articles inspired by the central five verses of Padmasambhava’s ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’, in which I shall be aiming to show meditators how each one of the ten deities of the Dharmadhātu Mandala can be felt in the fields of the body as profound suprapersonal sources of somatic healing and wisdom. Those who read the whole series of articles – and it is intended that these articles should be read in sequence – will be able to incorporate these reflections into their meditation practice in a systematic way. The first article in the series can be found here; brief summaries of all the articles can be found here; you can read the previous article in the series here; and you can read the five verses here.

In these articles, I am choosing once again to use a partly non-traditional terminology for talking about the process of transformation that the Dharmadhātu Mandala invites us to engage in. Those who have read the previous articles on this series may recognise Integration, Positive Emotion, Spiritual Death and Spiritual Rebirth as the stages of a system of meditative practice that was suggested by Sangharakshita in the 1970s. This being the case, I need to point out once again, that while I find that these four general stages fit my experience very well indeed, the detail of my own approach to these stages of meditation practice is not based on any detailed exposition by Sangharakshita, but on my own explorations.

I should also make it clear that what I am presenting here does not necessarily represent the consensus within the global Triratna Buddhist Community regarding Sangharakshita’s ‘System of Practice’. My intention is only to share my own experience, and to share my own somewhat personal and perhaps idiosyncratic reflections. My hope is that others will find my exploration of that four-fold conceptual frame of reference to be meaningful and useful, and will be stimulated to engage in there own meditative enquiry into the profound spiritual psychology of the Dharmadhātu Mandala.

This article began as a longer piece of writing, which I subsequently decided to split into two sections – the first section being an introduction to this one, and in part a recapitulation of themes from earlier in this series. I gave the introductory section the title: Part 7: Somatic Body-Mind. If you have not already read it, you may want to consider reading the previous article first – by clicking here.

Vajrayāna Meditation – A Somatic Approach to Practice

The Buddhist tradition unfolded through three great historical and spiritual stages – usually called the Hinayāna, Mahayāna and Vajrayāna. While it can be shown that the Mahayāna, and Vajrayāna stages where implicit in the historical Buddha’s teaching (nominally Hinayāna), the Mahayāna and Vajrayāna teachings of later centuries gave even richer cultural expression to ways of thinking about realisation, about meditation, and about Mindfulness – ways which, while they were not completely new to the tradition, had not been fully expressed either in Gautama Buddha’s teaching, or in the earlier centuries. While the Mahayāna could be characterised as emphasising the seeming ‘otherness’ of the suprapersonal spiritual forces of Consciousness and the importance of an attitude of devotional receptivity towards those forces; the Vajrayāna goes a step further, by acknowledging that our personal experience of embodied Consciousness cannot ultimately be separated from the Transcendental – that all of human experience is pervaded by the transcendental dharmadhātu, or dharmic dimension, and that all beings, without exception, are subject to its evolutionary energy.

So the Vajrayana can be characterised as advocating, not just a fierce determination to become more conscious (the Hinayana emphasis); and not just a profound receptivity to benevolent spiritual forces that are beyond the egoic mind but inherent in Consciousness (the Mahayāna emphasis); but also a recognition that realisation is already present in the experience of embodied Consciousness – albeit very profoundly obscured by the egoic kleshas that have seized the body-mind. The Vajrayāna Buddhism of Tibet therefore sees psychological development as involving, not only a broadening and deepening of cognitive-perceptual awareness, and a differentiation of every human function and skill, but, through meditation practice, a direct transformation and profound expansion of the way we embody Consciousness somatically. So, the Vajrayāna sees meditation practice as a bodily, or somatic, process – one in which the accumulated kleshas are systematically driven out by our consistent return to states of alignment with our ultimate true nature.

Recognising Embodied Consciousness

This approach holds the possibility of rapidly accelerating our process of healing, personal development, and realisation. Those meditation and Mindfulness practitioners within the Buddhist tradition, who engage with this level of practice, achieve this acceleration of their process by resting ‘as’ Consciousness, and recognising that the ’empty’ vijñāna skandha of Consciousness, is itself a phenomenon of the transcendent dharmic order of conditionality within the universe. When we practice in the spirit of the Vajrayāna, we set out to systematically familiarise ourselves with all aspects of our experience of embodied Consciousness – using the mandala and its archetypal Buddhas as our guide. While I have no wish to denigrate other approaches as ‘lower’, or to identify my own approach as ‘higher’, it is this more comprehensive approach to Mindfulness and meditation, such as we find in the Tibetan Vajrayana, that I have been seeking to present in these Mandala of Love articles.

This integration of the ‘self-discovery’ perspective of the Vajrayāna, into the way we think about meditation practice, allows us to see both the earlier ‘self-development’ perspective of the Hinayāna, and the subsequent devotional-receptive ‘self-surrender’ perspective of the Mahayāna, much more clearly. As I have been explaining in previous articles, the meditation practices of Buddhist tradition can be thought of as methods for releasing the energetic residue of our egoic patterning – which Buddhist tradition calls the kleshas – from the somatic body-mind. As this releasing takes place, we reveal the somatic energies of embodied Consciousness that were always present, but were previously obscured by the energetic residue that is accumulated through egoic identification – we reveal the dharmic order of conditionality to be the most fundamental and reliable aspect of mind, even as it is clearly non-personal.

While many Buddhist teachers claim that any act of intense concentration will help us develop Mindfulness and samādhi this is not necessarily true. The practice of samādhi, or meditation, is unfortunately usually understood merely as ‘meditative absorption’, or ‘concentration’. ‘Concentration’ is an especially limited and limiting conceptualisation. I find it much more helpful to think of samādhi as a process in which we endeavour to integrate and embody the suprapersonal forces of Consciousness. It is an active process, but that activity is the subtle one of an active and systematic ‘meditative receptivity’. So, Mindfulness is not a merely mental process, or a neurological ‘executive function’ skill of the brain, and it is certainly not about developing awareness in a single narrow areas – like body position in space; sensations; feeling states, etc. If we study the Buddha’s ‘Four Foundations of Mindfulness’ with an imagination informed by the mandala wisdom of later Buddhist tradition, we recognise that Mindfulness requires the cultivation of a broad, multidimensional, and comprehensive embodiment of Consciousness, and requires our willingness to enter into the non-conceptual inner-world of somatic energy and of indefinable bodily-felt experience. All this is implied by the idea of Mindfulness of vedanā. We cannot engage with either Mindfulness practice, or samādhi practice, without entering this non-rational somatic realm of ‘internal’ vedanā , since it here, in our bodily-felt experience that the psychological opposites are most concretely confronted, held and reconciled, so that the invisible forces that have held us back can at last be released. Continue reading

July 21, 2023

The Ten Archetypal Buddhas of the Mandala – Part 7: The Somatic Body-Mind

This article is the seventh of fifteen articles inspired by the central five verses of Padmasambhava’s ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’, in which I shall be aiming to show meditators how each one of the ten deities of the Dharmadhātu Mandala can be felt in the fields of the body as profound suprapersonal sources of somatic healing and wisdom. Those who read the whole series of articles – and it is intended that these articles should be read in sequence – will be able to incorporate these reflections into their meditation practice in a systematic way. The first article in the series can be found here; brief summaries of all the articles can be found here; you can read the previous article in the series here; and you can read the five verses here.

I should also make it clear that what I am presenting here does not represent the consensus within the global Triratna Buddhist Community regarding Sangharakshita’s ‘System of Practice’ – far from it. My intention is only to share my own experience, and to share my own somewhat personal and perhaps idiosyncratic reflections. My hope is that others will find my exploration of that four-fold conceptual frame of reference to be meaningful and useful, and will be stimulated to engage in their own meditative enquiry into the profound spiritual psychology of the Dharmadhātu Mandala.

This article was originally written as the first part of a longer article on the female Buddha Māmaki, but I have chosen to present it as a separate article, and as one which will hopefully serve as an introduction to that article. In it, I hope to provide a recapitulation of key understandings from previous articles in the series, and to further introduce the notion of the somatic, and the idea that meditation is an experience of, not mind, but body-mind – these being foundational conceptualisations for the article on Māmaki that follows. By talking of mind as body-mind, I mean, not an integration of two separate elements – mind and body – but an acknowledgement of the extent to which mind and body must be regarded, in the practice of meditation, as inherently integrated. So, while meditation can usefully be thought of, at least in the beginning stages, as an integration of mind and body – of ‘bringing the mind home to the body’, as Thich Nhat Hahn used to say – I am interested in a deeper integration, in the sense of a bringing into full awareness, of the five already integrated body-mind components, which Buddhist tradition calls the five skandhas. By way of introduction to the article on Māmaki, I shall, in this article, be reflecting on the vedanā skandha in particular – the skandha of ‘internal’ and ‘external’ Sensing, Sensation and Embodiment.

A Comprehensive Non-Dual Archetypal Psychology

In this series of articles, I have set out to describe the ten archetypal Buddhas of the Dharmadhātu Mandala – the mandala of the Five Wisdoms – and to present them as personifications of an interrelated constellation of Dharmic principles that together form a comprehensive non-dual psychology. These Dharmic principles can be viewed as stages in a transformation process – a transformation process that leads not just to Insight, and to the release of self-view (which we can call Spiritual Death); but to our embodiment of the transcendent Bodhisattva principle (a stage which we can call Spiritual Rebirth), through the release of the energetic residues of the egoic mind, which Buddhist tradition calls the kleshas.

We can characterise the process of realisation that we call Enlightenment as having four stages – Integration, Positive Emotion, Spiritual Death and Spiritual Rebirth – and we can approach each of these four stages through five meditative contemplations, using the Five Wisdoms Mandala as our guide. Each of the four stages engages with the Five Wisdoms at a higher level than the last. They are are like four octaves – the subsequent stages resonating with the earlier ones, and each expressing a higher and more comprehensive level of transformation and wisdom than the last. While it is true to say that the embodiment of Consciousness characterised by Positive Emotion, requires the foundation of mental and emotional stability such as is developed in the Integration stage, there is also however, a sense in which these two different familiarisation processes can progress in parallel. I shall be talking more about this below.

The most obvious division of the four stages is into the first two and the last two. There is however, a particularly strong resonance between the Integration and Spiritual Death stages (first and third), and between the Positive Emotion and Spiritual Rebirth stages (second and fourth). This means that our practice in the Integration stage, and our deepening connection with the five receptive ‘Integration’ Buddhas (that we we are currently studying), is likely to also produce significant insights into the impersonal nature of mind (Spiritual Death). Similarly, a deep practice of the Positive Emotion stage, and our deepening connection with the five expansive ‘Positive Emotion’ Buddhas, is likely to propel us into that profoundly and naturally altruistic way of living our embodiment of Consciousness, which the Buddhist tradition speaks of in terms of the bodhicitta – the emergence of the Bodhisattva archetype as the guiding principle of our being (Spiritual Rebirth).

What I am presenting here is clearly not an ego-psychology – in which an heroic and narcissistic egoic self makes vain attempts at transcendence by trying to appropriate divine powers to itself. Rather it is a Buddhist archetypal psychology, in which the humble and reverent egoic self of the Mahayana Buddhist practitioner seeks to know, familiarise themselves with, and surrender to, the benevolent forces of the Transcendental – the archetypal powers that are inherent in Consciousness and organised as a mandala of Five Wisdoms.

The Brahmavihāras – Self-Regarding and Other-Regarding

The egoic mind has tendencies which we can characterised in terms of energetic dis-integration and energetic contraction, and the practice of meditation, or resting as Consciousness, leads to the opposite tendencies – Integration being the opposite of energetic dis-integration, and Positive Emotion being the opposite of energetic contraction. One way in which this distinction that I am making, between Integration and Positive Emotion can be understood, is in terms of the brahmavihāras (Equanimity, Loving Kindness, Compassion, and Appreciative Joy) which can be either self-regarding or other-regarding – either energetically receptive or energetically expansive.

June 18, 2022

The Ten Archetypal Buddhas of the Mandala – Part 6: Vajrasattva-Akshobya

This article is the sixth of fifteen articles inspired by the central five verses of the ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’, in which I shall be aiming to show meditators how each one of the ten deities of the Dharmadhātu Mandala can be felt in the fields of the body as profound suprapersonal sources of somatic healing and wisdom. Those who read the whole series of articles – and it is intended that these articles should be read in sequence – will be able to incorporate these reflections into their meditation practice in a systematic way. The first article in the series can be found here; brief summaries of all the articles can be found here; and you can read the five verses here.

The Mandala of ‘Receptive’ Deities Continued

This series of articles is essentially a systematic description of the ten deities of the Dharmadhātu mandala, and in this article I shall be going one step deeper into what I have chosen to call the mandala of the five ‘receptive’ deities. This division of the ten deities into two groups – five ‘yin’, or ‘receptive’, deities, and five ‘yang’, or ‘expansive’ ones – is not a traditional formulation as far as I know, though it has several parallels in the traditional teachings. I feel very motivated to share it however, because I have found it to be such a powerful framework in my own meditation practice. It is my hope that readers will wish to experiment with meditating systematically on the somatic resonance of each of these deities as I have done. While you may wish to simply meditate on the deities as a ‘meditation cycle’, as I initially did, I hope to be able to demonstrate that these deities are best approached in pairs – since the pairs of Dharmic principles that are behind the west-east and south-north pairs of deities, represent profound spiritual oppositions that must be reconciled and integrated if we are to fully embody the energies of the Five Wisdoms.

The two-stage model that I have adopted (meditating on the ‘receptive’ Dharmic principles first, followed by the ‘expansive’ ones) correspond to the two initial stages – ‘Integration’ and ‘Positive Emotion’ – in the ‘System of Meditation Practice’ that was first proposed by Sangharakshita in the 1970s. The five deities in the first group, which we are currently investigating, are ‘receptive’ in that they are associated with ‘yin’ ,or ‘receptive’, energies in the somatic anatomy of the body, and because of this can serve to create a foundation of psychological integration in the early stages of meditation practice. They represent five key Dharmic principles, in the necessarily more introverted and self-empathetic process of our initial self-healing, and of gaining familiarity with the experience of ‘resting as’ embodied Consciousness.

August 15, 2020

The Ten Archetypal Buddhas of the Mandala – Part 5: Pandaravārsini

This article is the fifth of fifteen articles inspired by the ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’, in which I shall be aiming to show meditators how each one of the ten deities of the Dharmadhātu Mandala can be felt in the fields of the body as profound suprapersonal sources of somatic healing and wisdom. Those who read the whole series of articles – and it is intended that these articles should be read in sequence – will be able to incorporate these reflections into their meditation practice in a systematic way. The first article in the series can be found here; brief summaries of all the articles can be found here; and you can read the five verses here.

I offer these reflections without any claim to the authority of any particular tradition, or school of thought. I am adding my own personal and idiosyncratic commentary to the other commentaries that are available on the Five Wisdoms, and on the archetypal Buddhas of the Dharmadhātu Mandala, only because I believe passionately in the preciousness of this information. I cannot help feeling that there should be much more engagement with this knowledge than is evidenced on the Internet – much more discussion, reflection, contemplation and meditative self-enquiry which takes this primordial mandala as the integrated whole that it is. I sincerely hope that the thoughts that I am sharing will be supportive of this work, and supportive of those who share my love of the mandala wisdom.

In this article, I make reference to the five-fold ‘System of Practice’, that has been used, within the Triratna Buddhist Community, as a framework for thinking about the dimensions of meditation practice and the Dharma life more generally. Sangharakshita’s model originally identified Integration, Positive Emotion, Spiritual Death (i.e. Insight), and Spiritual Rebirth, as four key stages. To these four, a fifth component – Receptivity – was later added – usually as a third ‘stage’. While I am in complete agreement regarding the importance of receptivity and the need for its inclusion in the model, but I do not agree with the addition of it as an additional stage. In my own experience Receptivity is integral to the foundational Integration stage – and therefore to all the subsequent stages. The placement of Receptivity third in a series of five stages, does however reflect the reality that meditators generally come to an appreciation of the importance of Receptivity after they have been engaged with the goals of Integration and Positive Emotion for some time. It certainly fits my experience that a reframing of meditation through an emphasis on Receptivity is necessary for the sort of deepening of practice that is necessary for the emergence of the subsequent stages of Spiritual Death (Insight) and Spiritual Rebirth (Bodhicitta).

I need to acknowledge, and indeed emphasise, that where I have suggested, in these articles, that Receptivity should be given greater primacy, and have proposed that five of the ten deities can be considered to embody Receptivity are particularly supportive of the initial ‘Integration’ phase (and that the other five are more ‘expansive’ can strongly support us during the subsequent ‘Positive Emotion’ stage), this is an observation from my own explorations, and certainly goes beyond the standard interpretation of Sangharakshita’s model. I do not however, believe my suggestions are in conflict with Sangharakshita’s emphasis. I prefer to think of my ideas as a respectful engagement with his; as building on the foundation that his work has given us; as affirming the value of his original four-fold model; and as a tentative contribution to the process by which the Triratna meditation practice model is being forged in the furnace of experience.

The Mandala of Receptive Deities

In my last article (here), I spoke about the way in which the ten deities of the mandala fall into two groups of five. In the first of these two groups there are three female Buddhas and two male Buddhas, but all of them can be characterised as more ‘yin’, or ‘receptive’ in their energy as they are experienced in meditation. In the second group there are three male Buddhas and two female Buddhas, but all of them can be characterised as more ‘yang’, or ‘expansive’ in their energy as they are experienced in meditation. In the next five articles, I shall be talking about the first group of five deities – the ‘yin’, or ‘receptive’ group of deities – which are shown below. I shall starting with the deities of the mandala quadrants and finishing with White Tāra, in the centre.

I have chosen to start, in this article, with an exploration of the figure of Pandaravārsini; with the Discriminating Wisdom; and with the Dharmic principle that I have come to call ‘Uncaused Happiness’. It will not be possible to separate Pandaravārsini and the experience she represents, from Amitābha and the experience that he represents, but my focus will be on Pandaravārsini. I hope to show that for meditators, she is of enormous importance for our healing of the klesha of rāga, or ‘craving’, which is one of our greatest obstacles to realisation. More than this, because she represents the essence of our capacity to truly love ourselves, she can be regarded as the source of our capacity for emotional self-healing through meditation practice.

The Samjñā Skandha, the Klesha of Craving (rāga), and the Preta Realms

When, through craving, I wander in samsara,
on the luminous light-path of Discriminating Wisdom,
may Blessed Amitābha go before me,
and Pandaravārsini behind me;
help me to cross the bardo’s dangerous pathway,
and bring me to the perfect buddha state.

The five verses in the ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’ take us clockwise around the mandala in the traditional way, starting in the centre and then the eastern quadrant. In this exploration, I shall be taking us on a different journey – a journey that aims to explore and embrace the hidden polarities and dynamic tensions within the mandala structure. We shall be starting in the western quadrant with the red light-path of the ’empty’ sanjñā skandha and the Discriminating Wisdom, which leads us away from the egoic reactivity of the Preta Realm and towards the emotionally nourishing influence of Pandaravārsini and Amitābha. Only then will we move across to the eastern quadrant to look at the blue light-path of the ’empty’ rūpa skandha and the Mirror-Like Wisdom, which leads us away from the Hell Realms, and towards the peace and mental clarity of Vajrasattva and Buddha-Locana.

July 15, 2020

The Ten Archetypal Buddhas of the Mandala – Part 4: Integration and Positive Emotion

This article is the fourth of fifteen articles inspired by the ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’, in which I shall be aiming to show meditators how each one of the ten deities of the Dharmadhātu Mandala can be felt in the fields of the body as profound suprapersonal sources of somatic healing and wisdom. Those who read the whole series of articles – and it is intended that these articles should be read in sequence – will be able to incorporate these reflections into their meditation practice in a systematic way. The first article in the series can be found here; and brief summaries of all the articles can be found here.

In this article, I hope I can begin to tentatively explore how the kleshas and Wisdom energies, that I spoke about in the last article in this series (here), are located in the fields of the body, and on how we can begin to ‘hold the tension’ between those opposite groups of energies – as they appear as polarities within our bodily-felt experience in meditation practice. Each quadrant of the mandala points to an opposition between an egoic manifestation on one side, and a mysterious transcendent aspect on the other – which we can think of an aspect of our true nature as embodied Consciousness. We need to hold the tension between these opposites. By being careful not to deny the reality of either pole, while paying special attention to the ever-present somatic resonance of the transcendent reality, we begin to heal, and move towards our goal. Mandalas are complex multi-dimensional images of the many and various inherent oppositions within the psyche – which are the obstacles to our integration. Each quadrant of the mandala therefore describes a tension to be held – a polarity to be reconciled – and each axis of the mandala describes a tension to be held and reconciled also.

The Dharmadhātu Mandala as a Ten-Fold Meditation Cycle

I prefer to meditate on the ten archetypal Buddhas, not only as five apparent ‘couples’ as in the ‘Inspiration-Prayer’ – with one male-female pair representing each of the Five Wisdoms – or as five female Buddhas and five male Buddhas. Rather, I meditate first on what I have come to think of as the five ‘receptive’ deities (three female Buddhas and two male ones), and then on the five ‘expansive’ deities (three male Buddhas and two female ones). The two diagrams below, show these two groups of five deities – each with the ‘Dharmic Principles’ that I find useful for identifying the aspect of the Five Wisdoms that they personify, represent, or embody.

In the course of the articles in this series, I shall be explaining the words that I have chosen for the ‘Dharmic Principles’ and expanding upon them. There are two of these ‘Dharmic Principles’ for each Wisdom – one for each of the ten archetypal Buddhas in the mandala. The eight ‘Dharmic principles’ that are shown in the four quadrants of the two mandala are either brahmavihāras (Equanimity, Appreciative Joy, Loving Kindness, and Compassion), or are closely related Dharmic principles, which I call Qualia (Being, Embodiment, Uncaused Happiness, and Life Energy). While the Five Wisdoms are usually defined as the aspects of wisdom that arise as the emptiness of each of the skandhas is recognised, I, like many others, regard the brahmavihāras as an equally important way in to an understanding of them – and absolutely key to our bodily-felt experience of the Wisdoms in meditation. In previous articles on this website, I have already written quite extensively on each of the brahmavihāras and their related Qualia, but will be systematically examining each one of these Dharmic principles as we progress in this series of articles.

June 15, 2020

The Ten Archetypal Buddhas of the Mandala – Part 3: Resting as Consciousness

This article is the third of fifteen articles inspired by the central five verses of the ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’, in which I shall be aiming to show meditators how each one of the ten deities of the Dharmadhātu Mandala can be felt in the fields of the body as profound suprapersonal sources of somatic healing and wisdom. Those who read the whole series of articles – and it is intended that these articles should be read in sequence – will be able to incorporate these reflections into their meditation practice in a systematic way. The first article in the series can be found here; brief summaries of all the articles can be found here; and you can read the five verses here.

In the five central verses of the ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’ (you can read those verses here), we are shown the five ‘light-paths’ that lead us from ignorance to wisdom – from identification with the skandhas, and with the self-illusion, to a recognition of the ’emptiness’ of the skandhas and to the realisation of the five Wisdoms. In order to begin to explore each skandha / Wisdom light-path, I shall be describing each of the five kleshas and five Realms; and each of the five Wisdoms, and the five ‘Buddha couples’ that correspond to them.

The Vijñāna Skandha, the Klesha of Spiritual Ignorance (avidyā), and the Deva Realms

When, through spiritual ignorance, I wander in samsara,
on the luminous light-path of the dharmadhātu wisdom,
may Blessed Vairocana go before me,
and White Tara behind me.

We need to start in the centre of the mandala, with the central skandha / Wisdom light-path, which is the white light-path of the ’empty’ vijñāna skandha, which is Consciousness. In conventional egoic perception, we identify with the vijñāna skandha and personalise it – we take Consciousness to be personal. It could be said that this ignorance of the suprapersonal nature of Consciousness is the foundational klesha – the ‘spiritual ignorance’ from which all the other kleshas inevitably follow. To release this personalisation of Consciousness, and the egoic self-view idea that springs from it, is the beginning of Wisdom. When we are truly mindful, and learn to ‘rest as Consciousness’ in meditation, we are resting in the recognition that Consciousness is in fact an objective and collective reality. By ‘seeing through’ our habitual personalisation of Consciousness we begin to recognise that personal self-hood is just an illusion that we have created – an illusion that we will inevitably continue to create, and will move in an out of, until we are fully realised.

In the Buddhist texts there are two words used for this spiritual ignorance. These are moha and avidyā, and both are sometimes used in the ‘five kleshas‘ list. While the term moha is also taken to mean delusion, confusion, and dullness, or unconsciousness in general, the term avidyā is preferable, in my view, because it generally refers more specifically to the spiritual ignorance of personalising Consciousness, and to the egoic belief in a separate self.

It is clarifying to remember that the klesha of ‘spiritual ignorance’ is the deep rooted habit of egoic personalisation that is the distinguishing characteristic of the Deva Realms – and is the reason for the devas’ bondage to conditioned existence, despite their ability to dwell in ultra-refined and extremely ‘positive’ mental states. When we are talking in the context of the five-fold mandala model of mind, which crystalised during the Mahayana period of Indian Buddhism, and became the underlying structure for the Vajrayana teachings of Tibetan Buddhism, it is also helpful to think of this klesha as the ‘spiritual ignorance’ that is the opposite of the Dharmadhātu Wisdom. In other words, avidyā is that ignorance which is our failure to recognise the ’emptiness’, or non-personal nature of Consciousness – the ’emptiness’ of the vijñāna skandha. So avidyā is the klesha that leads us, when we are in the ‘intermediate state’ – the bardo between lives – to be drawn toward rebirth in the Deva Realms, rather than toward recognition of our true nature as the white light of the Dharmadhātu Wisdom, which shines from the figures of Vairocana and White Tara (originally Ākāshadhātvishvari).

May 15, 2020

The Ten Archetypal Buddhas of the Mandala – Part 2: Ten Dharmic Principles

This article is the second of fifteen articles inspired by the ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’, in which I shall be aiming to show meditators how each one of the ten deities of the Dharmadhātu Mandala can be felt in the fields of the body as profound suprapersonal sources of somatic healing and wisdom. Those who read the whole series of articles – and it is intended that these articles should be read in sequence – will be able to incorporate these reflections into their meditation practice in a systematic way. The first article in the series can be found here; brief summaries of all the articles can be found here; and you can read the five verses here.

Padmasambhava – The Second Buddha

I have a great love of the Bardo Thodol, or ‘Tibetan Book of the Dead’. It contains powerful truths about the nature of mind. I regard Padmasambhava, it’s author, as the second Buddha, as the Tibetan Buddhists do. I see the Bardo Thodol as a wonderful distillation of many of the essential elements of the Mahayana phase of Buddhism, at a crucial time when its Vajrayana phase was being born. While I love early Buddhism and the historical Buddha, my belief is that, if we are seeking radical transformation and self-realisation in this lifetime, our approach to meditation and insight practice benefits enormously from the incorporation of the key Mahayana and Vajrayana insights that can be found in the Bardo Thodol.

An important thing to understand about the Bardo Thodol is that we do not have to believe in it as a literal description of how rebirth takes place, to find it nevertheless, to be of the utmost value. The profound wisdom that it contains is in the form of an archetypal psychology. It speaks to us, in the language of imagery and symbolism, of things that can only be pointed to, and felt as a resonance in the fields of the body – not known objectively and conceptually.

The fact that the Bardo Thodol came to be called the ‘Tibetan Book of the Dead’ is probably unfortunate. That was the name, given to it by early Western students of Tibetan Buddhism, of the collection of Padmasambhava’s teachings that includes verses to be read over the corpse after a person has died. It is nothing like the ‘Egyptian Book of the Dead’ with which comparison was made at that time. Bardo, or more correctly the two words bar do, are Tibetan for ‘intermediate state’; and Thodol, is also actually two Tibetan words – thos, which is Tibetan for ‘hearing’ as well as ‘philosophical studies’, and grol, which means ‘liberation’. Hence a better translation of Bardo Thodol would be Liberation Through Hearing in the Intermediate State.

Padmasambhava, the ‘Lotus Born’ – also called Guru Rinpoche. This image will post to social media if you choose to share this article.

To understand the great value and importance to the Bardo Thodol, we need to understand that a bardo is more than just an intermediate state between lives – i.e. when we have died and are in the process of being reincarnated. Rather, a bardo is any moment of transition, any moment of choice – indeed any moment of Consciousness. To be truly conscious is to recognise that every moment of every life situation is a bardo – a moment of freedom and potentiality in which profound transformation is possible.

April 15, 2020

The Ten Archetypal Buddhas of the Mandala – Part 1: Three Yānas / Three Myths

This article is the first of fifteen articles inspired by the central five verses of the ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’, in which I shall be aiming to show meditators how each one of the ten deities of the Dharmadhātu Mandala can be felt in the fields of the body as profound suprapersonal sources of somatic healing and wisdom. Those who read the whole series of articles – and it is intended that these articles should be read in sequence – will be able to incorporate these reflections into their meditation practice in a systematic way. Brief summaries of all the articles can be found here and you can read the five verses here.

As I begin this new series of articles, I would like to express gratitude to Dharmachari Subhuti, a member of the Triratna Buddhist Order. It was Subhuti who set me on the five-fold light-path of the Five Wisdoms, when I attended a seminar on the Bardo Thodol with him in the1980s. Having said that, I should however make it very clear, that the perspective that I am presenting here is entirely my own, and is not intended to reflect any current consensus of thinking that may exist within the Triratna Buddhist Order. All I am doing here is sharing the fruits of my own enquiry – and hoping that this may stimulate others to engage in their own.

I also need to thank Subhuti for the central idea in this introductory article – the notion that the three yānas, the three phases of development of the Buddhist tradition, are like three ‘myths’, or defining frames of reference, within Buddhism – an idea which comes from a talk that he gave in 2003 (and later published online here in 2004). Once again however, I need to make it clear that I have reframed this conceptualisation somewhat, and elaborated it in my own way.

Three Ways of Relating to the Archetypal Buddhas

There is a foundational conceptual framework, which I would like to share as we embark on this exploration of the Dharmadhātu Mandala – the great Five Wisdoms mandala of Mahayāna and Vajrayāna Buddhism, with its five pairs of Buddhas. This is the three-fold conceptual framework of the three yānas. While most Buddhists will be aware of the three yānas – the three great historical phases of the development of the Buddhist tradition: Hinayāna; Mahayāna; and Vajrayāna – it is less common to see these three yānas associated with the three stages of our progressively deepening engagement with the archetypal Buddhas. This however, is a conceptualisation that I find very useful, and I would like to share it at the outset, because it not only guides us in our evolving relationship with the mandala deities; it also guides us in our deepening familiarity with mind and Consciousness, as we progress in our meditation practice.

Essentially there are three ways of relating to the mandala deities. Firstly, we can think of them as personifications of the various extremely positive characteristics of Enlightenment – as personifications of the various aspects of Enlightenment, which we aspire to, and would like to cultivate in ourselves. This perspective, we can say, is an expression of the attitudes of striving and idealism that we associate with early Buddhism – with the stage that the later Mahayāna (the Greater Vehicle) came to call the Hinayāna (the Lesser Vehicle). I do not really like this pejorative and somewhat disdainful characterisation – especially as the spirit of the Mahayāna and Vajrayāna phases are clearly discernible in the Pali records of the Buddha’s life and teachings. The term Hinayāna does however, allow us to make an important distinction. It denotes a set of more limited cultural attitudes and psychological frames of reference in which the later elements of Buddhist tradition (i.e, the Mahayāna and Vajrayāna elements) although they are present in a germinal form, are not yet so fully explored and articulated.

In the second, Mahayāna, phase, we can think of the archetypal Buddhas as existing objectively ‘out there’ in the universe – in a very real but non-material world beyond this material one in which we exist. The popular Mahayāna world-view of many ethnic Buddhists in the east, appears to see the archetypal Buddhas in a personalising way – as if they are divine persons. The more accurate and more sophisticated understanding within Mahayāna tradition however, sees them as ’empty’ and non-personal. In the terminology of modern psychology, we can say that the Buddhist deities exist as archetypes within the collective psyche. Although we encounter them subjectively and inwardly, the more we familiarise ourselves with them, the more we naturally come to think of them as objectively existing archetypal realities. When we say that they are archetypal, we mean that they are beyond the egoic mind but at the same time are not separate from us at all. Indeed they are personifications of our most essential nature.

Through the Buddha’s invitation to recognise that all things are insubstantial and ’empty’, we come full circle. The idealisation of the Hinayāna and the projection of the Mahayāna are resolved as we recognise that all things are ‘appearances’. The Vajrayāna perspective, deeply rooted as it is in the recognition of Emptiness (shunyatā), acknowledges that while these archetypes appear as objectively existing beings ‘out there’ in an objectively existing imaginal realm, they also show us, in the language of imagery and symbolism – in the language of archetypes – of a profound universal psychology. Indeed, as I am hoping to outline in the course of this series of articles, the mandala arrangement of archetypal Buddhas that we find in Tibetan Vajrayāna Buddhism describes the way Consciousness (the ’empty’ vijñāna skandha) unfolds into four cognitive-perceptual functions, whose relationship with each other has a mandala structure. Further to this, the mandala deities lead us into the mystery of how those archetypal energies find somatic embodiment in us as bodily-felt experience.

Just as the Mahayāna perspective is a natural extension of the Hinayana one, so the Vajrayāna is a natural extension of the Mahayāna view. I shall be trying to characterise it in more detail below, but very briefly we can think of the Vajrayāna as a perspective that sees the archetypal Buddhas as personifications of energies of Enlightenment that already exist in some way, embodied within ourselves – albeit obscured by the energies of the egoic mind. The Vajrayāna is concerned above all with deep transformation, and with the energetic and bodily-felt processes by which we come to know our true nature – the Buddha within – and begin to recognise that the play of the Transcendental is ever-present, and indeed immanently present, in Consciousness, and in this world.

The Three Yānas as Aspects of the Bodhisattva Archetype

So, the Buddhist tradition presents three somewhat different perspectives on meditation practice and on the spiritual life – and there is great value in taking the Buddhist tradition in its totality, and therefore developing the ability to move easily between these three perspectives, understanding the way they fit together into a whole. It is also important for us to be fully cognisant of which conceptual perspective we are thinking from, or thinking within, at any one time – and to recognise that each of those perspectives lacks comprehensiveness and objectivity when taken on its own.

March 15, 2020

The Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo

I created this page in connection with the series of articles which I have called ‘The Ten Archetypal Buddhas of the Mandala’, which can be accessed via the ’10 Buddhas’ menu above. The first article in the series can be accessed here, and summaries of the articles can be accessed here.

Below are the five central verses from the ‘Inspiration-Prayer for Deliverance from the Dangerous Pathway of the Bardo’. I regard these five verses as a presentation of the essential core of the profound collection of Padmasambhava’s teachings on the Dharmadhātu mandala, which have come down to us in a collection of texts called the Bardo Thodol, or bar do thos grol, or Liberation Through Hearing During the Intermediate State (often referred to in the English speaking world as the ‘Tibetan Book of the Dead’). These verses introduce us to the ten archetypal Buddhas of the mandala – five female and five male – and these are the subject of the ’10 Buddhas’ series. The words that I have highlighted in bold are the five kleshas – the five groups of bodily-felt egoic patterns, which are usually called ‘defilements’, or ‘obscurations’ – in the sense that they defile or obscure our true nature.

I have outlined the kleshas in many of my earlier articles, and in some detail in the ’10 Buddhas’ series. I believe that they are much more important than is commonly acknowledged. The more keen our familiarity is with these energies, the more able we are to deliver ourselves ‘from the Dangerous Pathway of the Bardo’. The ‘Dangerous Pathway of the Bardo’ refers to the dangerous journey through samsara that we are all undertaking – where, paradoxically, there is, in every moment, both the danger of deepening our bondage to our conditioning, or of liberation through insight.

Even when, though basic self-awareness and self-restraint, we no longer engage in grossly unethical acts of body, or speech – we will nevertheless, if we are conscious enough, be aware of the presence of these five kleshas, and of their incongruous and obscuring energetic momentum in the somatic fields of the body-mind. They give energetic substance to the illusion of separate self-hood, so we need to recognise them, and release them in a systematic way. In the text below, Padmasambhava shows us ten archetypal Buddhas, and ten corresponding Dharmic principles, which can do just that. My ’10 Buddhas’ series takes up Padmasambhava’s challenge and takes the reader on a mandala journey of meditative self-enquiry, with these ten Buddhas as our guides.

When, through spiritual ignorance, I wander in samsara,
on the luminous light-path of the Dharmadhātu Wisdom,
may Blessed Vairocana go before me,
and Ākāshadhāteshvari / White Tara behind me;
help me to cross the bardo’s dangerous pathway
and bring me to the perfect buddha state.

When, through hatred, I wander in samsara,
on the luminous light-path of the Mirror-like Wisdom,
may Blessed Vajrasattva-Akshobhya go before me,
and Buddhalocana behind me;
help me to cross the bardo’s dangerous pathway
and bring me to the perfect buddha state.

When, through pride, I wander in samsara,
on the luminous light-path of the Wisdom of Equality,
may Blessed Ratnasambhava go before me,
and Mamaki behind me;
help me to cross the bardo’s dangerous pathway
and bring me to the perfect buddha state.

When, through craving, I wander in samsara,
on the luminous light-path of Discriminating Wisdom,
may Blessed Amitabha go before me,
and Pandaravarsini behind me;
help me to cross the bardo’s dangerous pathway
and bring me to the perfect buddha state.

When, through envy, I wander in samsara,
on the luminous light-path of All-Accomplishing Wisdom,
may Blessed Amoghasiddhi go before me,
and Samaya-Tara behind me;
help me to cross the bardo’s dangerous pathway
and bring me to the perfect buddha state.

February 15, 2020